比兴与晚清词学思想的构建

"比兴"的多层级人文关怀、审美和实用的价值取向,是被历代诗家及晚清词家接受的一个内在前提。"比兴"追寻传统诗学精神的一个重要体现就是"风骚之义",与狭义诗学比较,词家不仅削弱了传统的"宗经辨骚"意识,而且强化了楚骚的寄托精神。"寄托"是审视晚清词学思想的一种独特话语,晚清词家不离比兴之义,既丰富了词体体性观念,也充实了比兴思想。晚清词家浓郁的比兴寄托思想及其解词实践,从正反两个方面皆催化了"读者之用心何必不然"观念的生成。

Bixing and the Establishment of Ci-poetic Ideology in Late Qing Dynasty

The internal prerequisite for the poets of successive dynasties and the ci-poets in late Qing Dynasty to accept Bixing is its multilevel humanistic solicitude, aesthetic and practical value orientation. As an important representation of following the spirit of traditional poetics, bixing pursues the literary excellence of Lisao. Compared with narrow poetics, ci-poets weaken the traditional thinking of panegyrizing Book of Songs but devaluing Lisao, and strengthen the projection spirit of Lisao. Projection is the unique access to judge and understand the ci-poetic ideology in late Qing Dynesty. Ci-poets' preference to Bixing in Qing Dynesty has enriched both the concept of ci-poetic style and the meanings of Bixing. The strong projection ideology of Bixing and the practice of interpreting ci-poems by the poets in late Qing Dynasty bring about the notion "why shouldn't the readers think like that".