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在传统的祭坛上——《白鹿原》女性形象评析
引用本文:董阳.在传统的祭坛上——《白鹿原》女性形象评析[J].华南农业大学学报(社会科学版),2002,1(1):65-68.
作者姓名:董阳
作者单位:华南农业大学,人文学院,广东,广州,510642
摘    要:陈忠实的<白鹿原>是我国当代长篇小说创作中不可多得的含义深刻的作品,它体现了作者对传统道德文化回归的深切渴望,但同时又流露出作者对传统道德伦理的矛盾心态.小说中田小蛾等女性形象的塑造正是这种矛盾心态的体现,作品一方面表现她们在伦理道德束缚之下的不幸命运,一方面又以传统的道德伦理为准绳来审视和评判她们,使她们成为回归传统、重塑道德的理所当然的牺牲品.

关 键 词:《白鹿原》  女性  人物形象  传统文化

On the Sacrificial Altar of Tradition --On the Female Images in Bai Lu Yuan
DONG Yang.On the Sacrificial Altar of Tradition --On the Female Images in Bai Lu Yuan[J].Journal of South China Agricultural University:Social Science Edition,2002,1(1):65-68.
Authors:DONG Yang
Abstract:Bai Lu Yuan by Chen Zhongshi is one of the few works with profound implication among the contemporary novels. It gives expression to the author's heartfelt eagerness for the returning of the traditional moral culture, but meanwhile it also reveales the author's contradictory psychology of the traditional moral principles. The portrayal of such femal images as Tian Xiao'er in this novel reflects this contradictory psychology. On one hand, the works depicts their unfortunate fates under the yoke of the moral ethics, on the other hand, they have also been judged by the traditional moral ethics as criterion, which makes them victims of the returning of traditon and the remoulding of morality.
Keywords:Bai Lu Yuan  female  character image  traditional culture
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