论李泽厚的实践美学

李泽厚的实践美学大体上可以分为三个时期:20世纪50—60年代前期为萌芽和初步形成时期;70年代末—80年代前期为发展完善时期;80年代后期至今为深入时期。对实践美学的主要概念和命题,如主体性、积淀、自然的人化、内在自然的人化、新感性、人的自然化等进行梳理及对实践美学的形成、发展和深化过程的知识社会学研究,不仅可以使我们更清晰地把握实践美学作为一种学术理论逐渐形成和发展的历史过程,同时也可以使我们对中国的现代性进程研究多了一个视角———一个现代美学学术史的视角。李泽厚对美学的研究从来不是空中楼阁,不是形而上的纯粹思辨,他的所有的问题都植根于现实生活并力图在此基础上为中国甚至整个人类、为每个个体幸福生活寻找出一个方向。李泽厚的实践美学不仅从美学上提出了一系列有价值的命题和学说,而对中国的现代性启蒙产生了重要作用并且必将对新世纪中国社会的精神文化建设发挥重要作用。

LI Ze-hou's Conception of Practical Aesthetics

Practical Aesthetics is one of important schools of Contemporary Chinese Aesthetics.In the 1980s,Practical Aesthetics surged a wave of "craze of aesthetics" with a sense of mission for ideological enlightenment throughout China.This article treats Practical Aesthetics not only as insulated theory,but also as something connected with history and reality.The leading philosopher of Practical Aesthetics is LI Ze-hou.The formation,development and perfection of his Practical Aesthetics is associated with the exploration of a possible and workable path for the reconstraction of China.By reviewing his thoughts,the article draws a conclusion that: LI Ze-hou's aesthetics is based on the possibility of human existences,and tries its best to seek after the living wisdom for all people.Because of this its historcal background and realistic meaning should not be neglected when we put forward our own views in contrast to LI Ze-hou's Practical Aesthetics.