| 山色有无中--论姜夔的词风 |
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| 引用本文： | 蔡永恒.山色有无中--论姜夔的词风[J].成都理工大学学报(社会科学版),2005,13(2):23-28. |
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| 作者姓名： | 蔡永恒 |
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| 作者单位： | 成都理工大学,成都,610059 |
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| 摘 要： | 历来对姜夔词价评毁誉不一,分歧的关键在于对其风格的把握不同.本文就姜词"清空"风格的内涵、特点、产生原因、历史地位作了评说.笔者认为姜词意在追求一种遗貌取神,深发淡出,重融情于景,剥落文彩,自然平淡却又"澹而腴"的美,而这一追求产生于历史与现实、继承与革新的交汇、冲突中;姜词独树一帜,但也反映了词的没落,催生了新的艺术形式.
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| 关 键 词： | 姜夔 词 清空 风格 姜夔词 词风 Color JIANG 艺术形式 继承与革新 历史地位 求产 文彩 剥落 融情 遗貌取神 词意 评说 姜词 风格 分歧 |
| 文章编号： | 1672-0539(2005)02-023-06 |
| 修稿时间： | 2004年11月16日 |
The Color of Mountains both Is and Is not: On JIANG Kui's Style of Ci |
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| CAI Yong-heng.The Color of Mountains both Is and Is not: On JIANG Kui''''s Style of Ci[J].Journal of Chengdu University of Technology:Social Sciences,2005,13(2):23-28. |
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| Authors: | CAI Yong-heng |
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| Abstract: | The appraisements for JIANG Kui's Ci always fluctuate between praise and blame because the appraisers have different view on JIANG Ci style. The paper discusses the connotation, characteristics and reasons and historic status of"Qingkong"style in JIANG Ci. The author regards that JIANG Ci seek a kind of beauty to pay attention to spirit and Fusion between Emotion and Scene, so JIANG Ci tastes natural and bald, which produced in meeting and confliction between history and actuality, inheriting and innovation. JIANG Ci is special beauty as well as reflection of Ci's decay. |
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| Keywords: | JIANG Kui Ci "Qingkong" style |
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