| 曹禺悲剧与喜剧精神立场之比较研究 |
| |
| 引用本文： | 汪树东.曹禺悲剧与喜剧精神立场之比较研究[J].西南大学学报(社会科学版),2003,29(4). |
| |
| 作者姓名： | 汪树东 |
| |
| 作者单位： | 武汉大学中文系 湖北武汉430072 |
| |
| 摘 要： | 曹禺创作从前期悲剧转入后期喜剧涉及到他的深层精神立场。超越精神是曹禺悲剧的精神立场,实用理性是他喜剧的精神立场,《北京人》作为正剧是两种精神立场冲突的结果。由此可以深入地分析曹禺创作的内在理路,把握曹禺剧作的深层意蕴,并对曹禺创作道路及其所依托的精神传统展开一定的反思。
|
| 关 键 词： | 曹禺 悲剧 喜剧 精神立场 比较研究 |
Comparative Studies on the Spiritual Stands of Cao Yu's Tragedies and Comedies |
| |
| WANG Shu-dong.Comparative Studies on the Spiritual Stands of Cao Yu's Tragedies and Comedies[J].Journal of Southwest University(Humanities and Social Sciences Edition),2003,29(4). |
| |
| Authors: | WANG Shu-dong |
| |
| Abstract: | It is concerning Cao Yu's spiritual stands that he has changed his writing pattern from tragedy to comedy. In this paper, we hold that transcending spirit is spiritual stand of Cao Yu's tragedies. Practical reason is spiritual stands of his comedies. There are two kinds of spiritual stands at war with each other in his serious drama People in Peking. From this angle, we can catch hold of the key meaning of Cao Yu's dramas, and reflect on his spiritual tradition. |
| |
| Keywords: | Cao Yu Tragedy Comedy Spiritual Stands Comparative Studies |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
| 点击此处可从《西南大学学报(社会科学版)》浏览原始摘要信息 |
| 点击此处可从《西南大学学报(社会科学版)》下载免费的PDF全文 |
