| 苏区文学与解放区文学源流论 |
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| 引用本文： | 徐亚东. 苏区文学与解放区文学源流论[J]. 郑州大学学报(哲学社会科学版), 2005, 38(3): 95-98 |
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| 作者姓名： | 徐亚东 |
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| 作者单位： | 武汉大学,文学院,湖北,武汉,430072 |
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| 摘 要： | 苏区文学和解放区文学是中国革命文学发展史上的两个重要阶段.前者是后者的一个重要源头.其源流关系一方面表现为解放区文学在理论建构上,整合了苏区文学关于文学本质和功能的政治化、革命化认知特征;另一方面解放区文学继承了苏区文学的小型化、通俗化特征,以及成绩突出的话剧艺术经验,从而使后者更好地服务于革命的现实斗争.当然,苏区文学的某些缺失也给解放区文学以消极的影响.
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| 关 键 词： | 苏区文学 解放区文学 文学本质 政治化 革命化 通俗化 话剧 |
| 文章编号： | 1001-8204(2005)03-0095-04 |
| 修稿时间： | 2004-11-16 |
Literature in Soviet Area and Liberated Area: Origin and Development |
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| XU Ya-dong. Literature in Soviet Area and Liberated Area: Origin and Development[J]. Journal of Zhengzhou University(Philosophy and Social Science Edition), 2005, 38(3): 95-98 |
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| Authors: | XU Ya-dong |
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| Abstract: | The Soviet Area here refers to places controlled by the central Committee of the CCP during the Second Revolutionary Civil War in 1927-1937, while the Liberated Area here refers to Yan'an controlled by the Party in 1936-1948. So far as literature is concerned, literature in the Soviet Area is a very important source of that in the Liberated Area. The paper discusses how the former influenced the latter. |
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| Keywords: | nature of literature politicization revolutionization popularization stage play |
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