| 中国审美精神的世俗性初论 |
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| 引用本文： | 赵跟喜.中国审美精神的世俗性初论[J].重庆大学学报(社会科学版),2004,10(5):88-90. |
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| 作者姓名： | 赵跟喜 |
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| 作者单位： | 兰州师范高等专科学校中文系,甘肃,兰州,730070 |
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| 摘 要： | 艺术精神是哲学精神、道德精神和宗教精神的相关体现,中国淡于宗教缺乏终极超越的文化精神决定了中国审美文化的世俗性特征,和西方相较,中国艺术的超越性是通过心灵的具体化和肉身化途径来实现的,艺术的自律性没有得到充分的强调和展开,这不仅受制于审美精神的世俗性,同时也受制于中国的国民性.
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| 关 键 词： | 中国审美精神 特征 世俗性 自律性 |
| 文章编号： | 1008-5831(2004)05-0088-03 |
| 修稿时间： | 2004年6月12日 |
A Preliminary Discussion on the Aesthetic Secularity of China |
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| ZHAO Gen-xi.A Preliminary Discussion on the Aesthetic Secularity of China[J].Journal of Chongqing University(Social Sciences Edition),2004,10(5):88-90. |
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| Authors: | ZHAO Gen-xi |
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| Abstract: | The spirit of art is the direct embodiment of philosophy, ethics and religion. The fact that Chinese culture lacks of ultimate religious transcendence leads to its aesthetic secularity. Compared with the western countries, the transcendence of Chinese art is achieved through the way of specification of the mind and its mortal body. So the art's self-discipline is not fully emphasized and developed. It is restrained not only by the aesthetic secularity but also by China's nationality. |
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| Keywords: | Chinese aesthetic spirit features secularity self-discipline |
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