公共文化视角下梁平木版年画整体性保护研究

梁平木版年画于2006年被列为国家级非物质文化遗产.作为民俗性公共文化,既具有文化遗产具体可视的物质属性,又包含民间信俗、制作技艺等非物质的文化属性.在新时代背景下,梁平木版年画传统保守的生产模式很难满足人民日益增长的精神文化需求,导致其创作生产萎缩、日渐衰败.作为非物质文化遗产的公共文化,文章从活态性、地域性、系统性角度,论述了对梁平木版年画的完整性、关联性、综合性保护,以保持其公共文化遗产的本真性、独特性、可识别性,激发其创作、生产活力,增强群众参与度,体现其公共文化价值,从而实现对梁平木版年画的整体性保护.

Overall protection study of Liangping New Year woodblock prints under the perspective of public culture

Liangping New Year woodblock prints was listed as a nation-level intangible cultural heritage in 2006. As a folkloric public culture,it possesses not only the specific and visual material attributes of cultural heritage but also the non-material cultural attributes such as folk belief and custom,manufacturing skills,etc. Under the background of the new era,the traditional and conservative production model of Liangping New Year woodblock prints cannot meet the growing spiritual and cultural needs of the people,so it shrinks its production and is being pushed out of business. As the public culture of intangible cultural heritage,the paper discusses the completeness,relevance and comprehensive protection of Liangping New Year woodblock prints from the aspects of activity,geography and systematicness to maintain the authenticity,uniqueness and identifiability of its public cultural heritage,to stimulate production activity and enhance public participation to achieve the overall protection of Liangping New Year woodblock prints.