新时期中国电影纪实美学研究述评

中国电影纪实美学兴起于20世纪80年代，至世纪之交，电影理论界对它的研究经历了“探索争呜期”和“反思建构期”两个重要阶段。“第四代”“第五代”以及“第六代”（“新生代”）导演的创作分别在不同时期体现了纪实关学对于中国电影的渗透与影响。综合这两个阶段纪实美学的研究成果，可以将其概括为四种研究视角和话语形态：电影基础关学范畴、电影现代思潮、中外影像传播理论、正面关注纪实美学的现象及理论等。这四种研究视角丰富了中国电影纪实美学理论体系，对电影创作实践产生了一定影响。

A Review of Studies on China＇s Film Documentary Aesthetics in the New Era

China＇s film documentary aesthetics emerged in the 1980s. By the turn of the century, film theorists＇ studies of it have experienced two important stages, namely＂the exploration-and-contention period＂ and ＂the reflection-and-construction period＂. Directors of ＂Fourth＂, ＂fifth＂ and＂sixth＂generations have created works which respectively reflects documentary aesthetics＇ penetration of Chinese films in different times. This paper argues that the findings of a comprehensive study of these two stages of documentary aesthetics, can be summarized as four research perspective and discourse forms： the basic aesthetic category of film, modem film theories, video communication theory home and abroad, and the positive attitude to the phenomenon and theory of documentary aesthetics. These four research perspectives may enrich the theoretical system of China＇s film documentary aesthetics.