对绘制画框作为艺术初步形成标志的阐释

艺术问题需要还原为人的问题，寻找艺术的起源需要追溯到人类开始审美活动的地方。目前已知最早的画框以绘制的形态出现于人类走出蒙昧、步入文明的青铜时代。绘制的画框对观看行为做出了人为的框定，意味着蕴藏的艺术性因素已从原始巫术、劳动中分离出来，人与图像的互动方式由巫术仪式转向主体对客体的观看，并使图像的功能由企图操控现实的巫术转变为接近当今人们所理解的视觉叙事。绘制的画框是人的划界思维由潜意识转化为意识的表现，在生活与图像之间制造了距离，是绘画超越实用功能形成自由自觉的审美活动、脱离巫术仪式成为独立视觉文化部门的关键迹象。因此，绘制画框的出现可以视作艺术初步形成的标志。

An Interpretation of Drawn Picture Frame as a Sign of the Initial Formation of Art

The problem of art needs to be restored to the problem of human beings,and the search for the origin of art needs to be restored to the place where human beings began aesthetic activities.At present,the earliest known picture frame appeared in the form of drawing in the Bronze Age when human beings walked out of obscurity and entered civilization.The drawn picture frame has artificially framed the viewing behavior,which means that the hidden artistic factors have been separated from the primitive witchcraft and labor.The interaction between people and images has changed from witchcraft ritual to subject object viewing,and the function of images has changed from witchcraft that attempts to control reality to visual narrative that is close to what people understand today.The drawn picture frame is the expression of the transformation of peoples demarcation thinking from subconsciousness to consciousness,creating a distance between life and images,making it possible for drawing to transcend practical functions and form a free and conscious aesthetic activity,and is a key sign for art to break away from witchcraft ceremony and become an independent visual cultural department.Therefore,the appearance of drawn frame can be used as a sign of the initial formation of art.