20世纪30年代中国左翼新诗的“大众化形式”采用与传播

1932年成立的中国诗歌会，作为“左联”领导下的群众新诗歌团体，创办了以《新诗歌》为代表的一系列诗歌刊物，在20世纪30年代承担起了无产阶级诗歌创作和传播的重任。这一时期的左翼诗歌表现出鲜明的“大众化”创作倾向和时代特征，呼吁使用“大众化形式”来创作诗歌，追求诗歌语言的口语化和可朗诵性，以增强无产阶级诗歌在民众中的感染力和传播力。这一时期的左翼诗人从歌谣等“旧形式”中汲取诗歌资源，借此建设适应时代需求的“大众化”新形式。“大众合唱诗”作为“大众化形式”的建设代表，表现出较强的“戏剧化”特征，也体现出一定程度的文体互渗的现象。这一时期的左翼新诗不仅摆脱了之前理论殷实而作品贫乏的“国语诗歌”创作困境，而且真正实现了无产阶级诗歌甚至是新诗的大众化传播。 

The Adoption and Dissemination of the "Popular Form" of Chinese Left-wing New Poems in the 1930s

The Chinese Poetry Society established in 1932, as a mass new poetry group under the leadership of the “Left Federation”, was founded a series of poetry publications represented by “New Poetry”, and undertook the creation and dissemination of proletarian poetry in the 1930s Important task. The left-wing poetry of this period showed a distinct tendency to “popularize” creation and characteristics of the times, calling for the use of “popularized form” to create poetry, pursuing the colloquial and reciprocal language of poetry, to enhance the infection of proletarian poetry among the people power and communication power. The left-wing poets of this period drew poetry resources from the “old forms” such as ballads to build a new form of “popularization” that was adapted to the needs of the times. The “popular chorus”, as a representative of the “popular form”, shows a strong “dramatic” feature, and also reflects a certain degree of interpenetration of styles. The left-wing new poems in the 1930s not only got rid of the predicament of “national language poetry”, which had solid theories and poor works but also realized the popularization of proletarian poems and even new poems.