| 现代与后现代的双重变奏——张杨电影的创造性叙事与表意 |
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| 引用本文： | 峻冰.现代与后现代的双重变奏——张杨电影的创造性叙事与表意[J].西南交通大学学报(社会科学版),2004,5(2):94-102. |
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| 作者姓名： | 峻冰 |
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| 作者单位： | 四川大学文学与新闻学院, 四川 成都 610064 |
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| 摘 要： | "新生代"导演张杨已融入主流电影行列。他的电影创作遵循非常宽泛的艺术理念———艺术与商业并重。分析他所拍摄的《爱情麻辣烫》、《洗澡》和《昨天》三部影片共同的叙事和表意旨趣:现代与后现代的双重变奏,这是小制作电影个性鲜明且颇有韵味的主要原因。
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| 关 键 词： | 张杨 实验状态 寓言 现代 后现代 |
| 文章编号： | 1009-4474(2004)02-0094-09 |
| 修稿时间： | 2003年9月1日 |
Double Variation of Modernist and Postmodernist Structure-The Creative Narration and Expression in Zhang Yang's Films |
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| JUN Bing.Double Variation of Modernist and Postmodernist Structure-The Creative Narration and Expression in Zhang Yang''''s Films[J].Journal of Southwest Jiaotong Universit(Social Science Edition),2004,5(2):94-102. |
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| Authors: | JUN Bing |
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| Abstract: | On the basis of a comprehensive grasp of Zhang Yang and his films, the thesis points out that his creative ideas lay equal stress on artistic quality and economic effect. As a new director, he has made remarkable achievements and entered into the main trend of film. Then the paper makes a detailed analysis on the same state of narration and expression (with modern and postmodern structure) shared by the films Spicy Love Soup (1997), Shower (1999) and Quitting (2001) directed by Zhang Yang by now. And this is the main reason why the films of low cost and small scale may still have instinct individualities and appealing charm. |
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| Keywords: | Zhang Yang experimental state fable modernism postmodernism |
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