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叙事的表意与表意的造型--“日本新电影”与中国电影“第五代”的比较
引用本文:峻冰.叙事的表意与表意的造型--“日本新电影”与中国电影“第五代”的比较[J].西南交通大学学报(社会科学版),2003,4(1):102-109.
作者姓名:峻冰
作者单位:四川大学文学院,四川,成都,610064
摘    要:对崛起于 2 0世纪 80年代、崛起于电影艺术风格多样化的影坛 ,且都体现出强烈的创新和探索精神的“日本新电影”与中国电影“第五代”进行了全面的比较 ,详细地论述了二者迥然相异的叙述风格和电影形态 ,进而明确指出叙事性的主导品格与导演的适度创新是电影作品获得艺术效益和经济效益双赢的关键

关 键 词:“日本新电影”  中国电影“第五代”  比较  叙事  造型
文章编号:1009-4474(2003)01-0102-08
修稿时间:2002年7月8日

Expression of Narration and Plasticity of Expression--Comparison between "Japanese New Movies" and "the Fifth Generation" of Chinese Film Arena
JUN Bing.Expression of Narration and Plasticity of Expression--Comparison between "Japanese New Movies" and "the Fifth Generation" of Chinese Film Arena[J].Journal of Southwest Jiaotong Universit(Social Science Edition),2003,4(1):102-109.
Authors:JUN Bing
Abstract:The paper gives a comprehensive comparison between "Japanese New Movies" and "the Fifth Generation" of Chinese film arena which sprang up in the 1980s on the film arena with many styles and brought forth new ideas. It also makes a detailed discussion about their utterly different narrative styles and formations of works, and draws a clear conclusion that they are the crux of high artistic quality and much economic benefit of film to make a dominant narration and blaze proper new trails for the director.
Keywords:Japanese New Movies"  "the Fifth Generation" of Chinese film arena  comparison  narration  plasticity  
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