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论电影《原罪》的双重叙述机制及其意义
引用本文:段鸣鸣,郭亮亮.论电影《原罪》的双重叙述机制及其意义[J].西南交通大学学报(社会科学版),2006,7(6):93-96.
作者姓名:段鸣鸣  郭亮亮
作者单位:1. 江西师范大学文学院,江西,南昌,330022
2. 江西师范大学校长办公室,江西,南昌,330022
摘    要:电影《原罪》的鲜明叙述技巧构成了影片的双重叙述机制。第一层面是明现叙述者的多种叙述策略;另一层面是大叙述者的多处叙述标示,而这种双重叙述机制的分析对于影片的叙述意图和故事内涵的理解有重要意义。

关 键 词:《原罪》  大叙述者  明现叙述者  叙述策略  叙述标示
文章编号:1009-4474(2006)06-0093-04
修稿时间:2006年3月20日

Analysis of the Double Narrative Mechanism in "Original Sin" and Its Significance
DUAN Ming-ming,GUO Liang-liang.Analysis of the Double Narrative Mechanism in "Original Sin" and Its Significance[J].Journal of Southwest Jiaotong Universit(Social Science Edition),2006,7(6):93-96.
Authors:DUAN Ming-ming  GUO Liang-liang
Abstract:The distinct narration skill of the movie "Original Sin" constitutes the double-level narrative mechanism.The first level refers to many kinds of narrative strategies of the appeared narrator,and the second level refers to many narrative marks of the great narrator.Analysis of the double-level narrative mechanism is of great significance to the understanding of both the narrative intention of the movie and connotation of the story.
Keywords:"Original Sin"  great narrator  appeared narrator  narrative tactic  narrative mark  
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