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文学创作活动中主客体之审美内蕴
引用本文:欧蕾.文学创作活动中主客体之审美内蕴[J].吉林工程技术师范学院学报,2010,26(7):41-43.
作者姓名:欧蕾
作者单位:遵义师范学院,南白分院,贵州,遵义,563100
摘    要:文学活动作为人类对世界艺术把握的一种方式,不是以审美为最终目的,创作主体总是通过对客体的审美判断和整体性的情感性评价来表达一定的思想,从而充分体现出文学创造的特殊性。

关 键 词:文学活动  主体  客体  审美判断  情感评价

The Aesthetic Implication of Subject and Object in Literary Creation
OU Lei.The Aesthetic Implication of Subject and Object in Literary Creation[J].Journal of Jilin Teachers Institute of Engineering and Technology(Natural Sciences Edition),2010,26(7):41-43.
Authors:OU Lei
Institution:OU Lei(Nanbai Branch, Zunyi Normal College, Zunyi Guizhou 563100, China)
Abstract:As a method of understanding art for human, literary creation does not regard aesthetics as the final purpose. Through the aesthetic judgment and integral affective evaluation on object, literary creation subject always express a certain thought, thus fully reflect its particularity.
Keywords:literary creation  subject  object  aesthetic judgment  affective evaluation
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