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主体性美学与主体间性美学——兼答张玉能先生
引用本文:杨春时.主体性美学与主体间性美学——兼答张玉能先生[J].汕头大学学报(人文社会科学版),2004,20(6):1-4,10.
作者姓名:杨春时
作者单位:厦门大学中文系,福建,厦门,361005
摘    要:在上个世纪末到本世纪初发生的第三次美学论争 ,即实践美学与后实践美学的论争中 ,建立了现代主体间性美学 (以后实践美学为代表 ) ,开始了现代转型。这个历史过程尚未完成 ,但一定会完成。主体间性美学不仅克服了主体性美学的理论缺陷 ,具有现代性的理论意义 ,而且解决了现代人的精神需要 ,具有现代性的社会意义

关 键 词:主体性美学  主体间性美学  中国美学  现代转型
文章编号:1001-4225(2004)06-0001-004
修稿时间:2004年10月12

Subjective Aesthetics and Intersubjective Aesthetics --A Response to Mr.Zhang Yu-neng
YANG Chun_shi.Subjective Aesthetics and Intersubjective Aesthetics --A Response to Mr.Zhang Yu-neng[J].Journal of Shantou University(Humanities Edition),2004,20(6):1-4,10.
Authors:YANG Chun_shi
Abstract:During the third debate at the turn of 21 st century between the aesthetics of practice and the post_aesthetics of practice,the modern intersubjective aesthetics represented by post_aesthetics of practice is established. The aesthetics began to undergo its modern transformation and this process is still in progress.The intersubjective aesthetics assumes theoretical significances of modernity by overcoming the drawbacks of subjective aesthetics,and provides the solutions to the spiritual needs of modern people,thus assuming social significances of modernity.
Keywords:subjective aesthetics  intersubjective aesthetics  Chinese aesthetics  modern transformation
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