| 徐渭本色论的内涵及对明后期戏曲创作的影响 |
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| 引用本文： | 宋成斌,王志勇.徐渭本色论的内涵及对明后期戏曲创作的影响[J].辽宁工程技术大学学报(社会科学版),2011(5):507-509. |
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| 作者姓名： | 宋成斌 王志勇 |
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| 作者单位： | 辽宁工程技术大学思想政治理论教研部;阜新高等专科学校人文系; |
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| 摘 要： | 本色论是徐渭戏曲理论的核心,本色论的两重涵义分别是主张作品的真实无伪和通俗易懂,有力地冲击了当时文坛追求复古和华而不实的文风。他的两种杂剧作品《四声猿》和《歌代啸》很好地实践了这种理论主张,思想和艺术水准都达到明以来最高水平。在徐渭的戏曲理论和创作的影响下,明晚期文坛掀起一股关于戏曲理论研究的热潮,戏曲创作也进入一个繁荣阶段。
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| 关 键 词： | 徐渭 本色论 内涵 四声猿 戏曲 |
Connotation of Xu Wei's natural color and its influence on drama creation in late Ming dynasty |
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| SONG Chengbin,WANG Zhiyong.Connotation of Xu Wei's natural color and its influence on drama creation in late Ming dynasty[J].Journal of Liaoning Technical University(Social Science Edition),2011(5):507-509. |
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| Authors: | SONG Chengbin WANG Zhiyong |
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| Institution: | SONG Chengbin1,WANG Zhiyong2(1.Department of Politics and Ideology,Liaoning Technical University,Fuxin 123000,China,2.Department of Humanities,Fuxin College,China) |
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| Abstract: | Natural color is the heart of Xu Wei's drama theory.Its two meanings focus on works' nature of being true and popular,which exerted a great impact on literary world's worship of classical and flashy style.Two dramas of his,Si Sheng Yuan and Ge Dai Xiao,have well fuifilled his drama theory.The thought and art in the two have reached the highest level since Ming dynasty.Under the influence of Xu Wei's drama theory and his creation,late Ming wit-nessed an upsurge of drama theory researches and the drama creati... |
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| Keywords: | Xu Wei theory of natural color connotation Si Sheng Yuan drama |
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