本"无"到释"空"--对"意境"生成的哲学考察

作为体现中国古典美学精华的"意境",在对其生成过程的诸多探讨中,有人从审美意识深化拓展的历程,即艺术本体论的角度揭示其脉络,可以说在研究水平上达到相当的高度.其立足于艺术发展本身而寻绎其本体性质,是一种自下而上的视角.本文试图在此基础上,自上而下,从哲学理论思维演进的内在逻辑透析审美意识转变的根本依据.

From Non-being To Emptiness--A Philosophical Investigation of the Origin of Mood and Atmosphere

The development of mood and atmosphere, as the essence of Chin ese classical aesthetics, has been much discussed. Some people, in a ccordance with the change of the aesthetic consciousness, i.e. the angl e of art ontology, have discovered the line of thought and got to a certain h igh level. The line of vision is a vertical one based on the character itself. The author tries to change the angle, according to the inner logics of philosoical thought, and reveal the essential reason of the transfromation of aesthetic consciousness.