| 从"写实"到"主义"——论张道藩的国家文艺思想 |
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| 引用本文： | 姜飞.从"写实"到"主义"——论张道藩的国家文艺思想[J].四川大学学报(哲学社会科学版),2011(2). |
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| 作者姓名： | 姜飞 |
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| 作者单位： | 四川大学,文学与新闻学院,四川,成都,610064 |
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| 基金项目： | 教育部青年基金项目.抗战时期的国家文艺思潮研究"，四川省哲学社会科学.十一五"规划青年项目"抗战时期大后方的国民党文艺思想和文艺政策研究"，四川大学2008年度哲学社会科学研究青年基金 |
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| 摘 要： | 在20世纪的中国,写实主义文艺的重心曾经从"写实"本身的"主义"转移到政治的某种"主义",张道藩的国家文艺思想,即令"写实主义"服役于"三民主义",演成三民主义的写实主义.其形成带有现实的政治考量,即因应抗战建国和批评普罗文艺的需要,而其实施则暴露出政治目标与人文内涵的冲突.张道藩对三民主义文艺思想的建构和阐释显得中正、平衡、和谐,虽倡导有力的国家文艺,却又试图最大限度地尊重自由和人权,遂使其三民主义的国家文艺思想温和无力,最终走向自我消解.
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| 关 键 词： | 三民主义的写实主义 张道藩 国家文艺思想 |
From"Literary Realism"to"Political Doctrine":Zhang Daofan'sTheory of National Literature and Art |
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| JIANG Fei.From"Literary Realism"to"Political Doctrine":Zhang Daofan'sTheory of National Literature and Art[J].Journal of Sichuan University(Social Science Edition),2011(2). |
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| Authors: | JIANG Fei |
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| Institution: | JIANG Fei (College of Literature & Journalism,Sichuan University,Chengdu,Sichuan 610064,China) |
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| Abstract: | In the 20th century,the focus of Chinese realistic literature and art once shifted from realism itself to certain political doctrine,such as Zhang Daofan's theory of national literature and art,which encouraged realism to serve for the Three Principles of the People at first,and then made it become the realism of the Three Principles of the People. Zhang Daofan's theory actually had two political intentions as resisting against Japan and repudiating the proletarian literature.His theory has a fatal weakness... |
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| Keywords: | realism of the Three Principles of the People Zhang Daofan theory of national literature and art |
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