| "韩国新电影"与中国电影"新生代"的平行研究 |
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| 引用本文： | 峻冰."韩国新电影"与中国电影"新生代"的平行研究[J].四川大学学报(哲学社会科学版),2004(3):60-68. |
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| 作者姓名： | 峻冰 |
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| 作者单位： | 四川大学,文学与新闻学院,四川,成都,610064 |
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| 摘 要： | "韩国新电影"和中国电影"新生代"二者尽管外部形态迥异,但却具有相通的内在旨趣,即都呈现出边缘书写和主流皈依的分化态势.而大致相仿的社会文化语境及创作主体选择的个性化则是导致这种创作状况的主要因由.
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| 关 键 词： | "韩国新电影" 中国电影"新生代" 边缘书写 主流皈依 |
| 文章编号： | 1006-0766(2004)03-0060-09 |
| 修稿时间： | 2003年11月15 |
Horizontal Comparison between "New Korean Films"and "Neo-generation" of Chinese Films |
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| JUN Bing.Horizontal Comparison between "New Korean Films"and "Neo-generation" of Chinese Films[J].Journal of Sichuan University(Social Science Edition),2004(3):60-68. |
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| Authors: | JUN Bing |
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| Abstract: | New Korean Films" and "Neo-generation" of Chinese Films share the common attributes in cultural orientation and artistic appreciation despite dissimilar presentations, characterized by the ramifying trend among them between marginal writing and conversion to mainstream. The reason for this ramification lies in the clash between overwhelming social context and individuality. |
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| Keywords: | New Korean Films" "Neo-generation" of Chinese Films marginal writing conversion to mainstream |
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