| 文人画的形成及审美风格 |
| |
| 引用本文： | 刘兰芝,李成.文人画的形成及审美风格[J].河南科技大学学报(社会科学版),2009,27(1):66-69. |
| |
| 作者姓名： | 刘兰芝 李成 |
| |
| 作者单位： | 1. 洛阳理工学院,图书馆,河南,洛阳471009
2. 洛阳理工学院,社会科学系,河南,洛阳471009 |
| |
| 摘 要： | 文人画是中国传统绘画的重要风格流派,具有独特的审美趋向,创作上强调个性表现和诗、书、画、印等的完美结合。其重主观、重表现、重写意的美学思想,崇尚笔墨韵味,强调空灵简淡的审美境界,深受禅宗美学影响,具有很高的美学价值。
|
| 关 键 词： | 中国画 文人画 绘画史 |
The Form and Aesthetic Style of Scholar's Painting |
| |
| LIU Lan-Zhi,LI Cheng.The Form and Aesthetic Style of Scholar''s Painting[J].Journal of Henan University of Science & Technology:Social science,2009,27(1):66-69. |
| |
| Authors: | LIU Lan-Zhi LI Cheng |
| |
| Institution: | 1.Library of Luoyang Institute of Science and Technology;Luoyang 471009;2.Department of Social Science;Luoyang Institute of Science and Technology;China |
| |
| Abstract: | As an important school of Chinese traditional painting,the scholar's painting,having a unique aesthetic tendency,emphasizes its characteristic performance as well as the perfect combination of poems,calligraphy,painting and seal.Having been deeply influenced by Zen aesthetics,the scholar painting values the views of subjection,performance and freehand brush work.Besides,it respects the flavors of painting and strengthens the aesthetic concept of transcendence and simple.With high aesthetic value,in Chinese ... |
| |
| Keywords: | Chinese painting scholar's painting painting history |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
