| 交互性：计算技术与西方艺术理论的汇聚 |
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| 引用本文： | 黄鸣奋.交互性：计算技术与西方艺术理论的汇聚[J].南京邮电大学学报(社会科学版),2008,10(4):1-6. |
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| 作者姓名： | 黄鸣奋 |
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| 作者单位： | 厦门大学,中文系,福建,厦门,361005 |
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| 基金项目： | 福建省社会科学规划项目"新媒体与西方数码艺术理论"
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| 摘 要： | 20世纪60年代以来,由于控制论、新行为主义等理论的影响,交互性在西方艺术领域逐渐成为一种被普遍接受的自觉倾向,并获得了计算机和网络的强有力支持。在计算技术与艺术理论相互渗透的过程中,人们从媒体特性、艺术表现和程序开发等多种角度对交互性加以探索,出现了"远程通信艺术"、"向后倾斜交互性"、"计算表现主义"、"交互性诗学"等新范畴。
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| 关 键 词： | 控制论 艺术 新媒体 |
Interactivity: the Meeting of Computing Technology
and the Western Art Theories |
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| HUANG Ming-fen.Interactivity: the Meeting of Computing Technology
and the Western Art Theories[J].Journal of Nanjing University of Posts and Telecommunications(Social Science),2008,10(4):1-6. |
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| Authors: | HUANG Ming-fen |
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| Institution: | HUANG Ming-fenChinese Department,Xiamen University,Xiamen 361005,China |
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| Abstract: | Due to the influence of cybernetics and new Behaviorism,interactivity has become a conscious tendency in the western art field since the 1960s and gained strong support from computer and network.In the integration of computing technology and art theories,interactivity has been explored from various perspectives such as media feature,artistic expression and program designing,which leads to the appearance of a series of new categories,including telemetric art,lean back interactivity,computational expressionism,and interactive poetics. |
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| Keywords: | cybernetics art new media |
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