| 彝汉诗学中“风”、“骨”内涵之比较 |
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| 引用本文： | 薛涛.彝汉诗学中“风”、“骨”内涵之比较[J].贵州民族学院学报,2010(6):40-42. |
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| 作者姓名： | 薛涛 |
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| 作者单位： | 新疆师范大学文学院,新疆乌鲁木齐830054 |
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| 摘 要： | ＂风骨＂一词在汉语诗学批评中一直是一个很重要的理论范畴,汉文化中,它最早源于人物品评,随后转向诗文、书法、绘画等多个艺术门类。值得研究的是在我们多民族大家庭里,特别是在我国彝族发达的诗文论里,＂风＂、＂骨＂有别样的内涵,它们同样在自己的诗学理论中发挥了重要的作用。
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| 关 键 词： | “风” “骨” 内涵 比较 |
A Comparison of "Feng" and "Gu" Connotations between Yi and Han Poetry |
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| XUE Tao.A Comparison of "Feng" and "Gu" Connotations between Yi and Han Poetry[J].Journal of Guizhou University for Nationalities,2010(6):40-42. |
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| Authors: | XUE Tao |
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| Abstract: | ＂Feng and Gu＂ are important theoretical categories in Chinese poetry.Such categories started in essays of comment on personas,and extended to poetry,calligraphy and paintings.This paper makes a comparative study on ＂Feng＂ and ＂Gu＂ between Yi and Han poetry. |
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| Keywords: | Feng Gu connotation comparison |
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