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从"歌舞伎乐时代"走向"剧曲音乐时代"——论唐代散乐对宋代市民音乐的启蒙
引用本文:祝波.从"歌舞伎乐时代"走向"剧曲音乐时代"——论唐代散乐对宋代市民音乐的启蒙[J].贵州民族学院学报,2011(1):160-163.
作者姓名:祝波
作者单位:贵州师范大学音乐学院,贵州贵阳,550025
摘    要:唐代是我国音乐史上"歌舞伎乐"的鼎盛时期,也是宫廷散乐由盛而衰的时期,通过对唐代散乐发展的考述,可以看出唐代宫廷散乐逐步走向民间.随着唐代散乐的走向民间以及乐棚、勾栏等表演场所的出现,对宋代市民音乐的出现和繁荣起到了重要的"启蒙"作用.

关 键 词:唐代  散乐  乐棚  勾栏

From "Singing and Dancing Ladies' Times"to" Drama Music Times": Enlightenment of the Tang Dynasty's Various Music Performances to the Song Dynasty's Folk Music
ZHU Bo.From "Singing and Dancing Ladies' Times"to" Drama Music Times": Enlightenment of the Tang Dynasty's Various Music Performances to the Song Dynasty's Folk Music[J].Journal of Guizhou University for Nationalities,2011(1):160-163.
Authors:ZHU Bo
Abstract:The Tang Dynasty is known for its "singing and dancing ladies' music",regarded as a period when imperial court's various music performances went from prosperity to decline.This paper traces the development of these various music performances and illustrates their enlightenment to the Song Dynasty's folk music.
Keywords:Tang Dynasty  various music performances  music studio  stage
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