文学意义的审美阐释

本文从海德格尔创立的存在哲学介入,在充分展示伽达默尔的哲学解释学对西方诗学与中国文论的本体论转换的影响的基础上,以文本意义与理解事件概念为中心,探究作为当代中西文学评论核心理念的"意义生成"问题的缘起、特质和本体论意义,阐发了文学解释学的本真蕴涵及其根本观念,意在展示出当代解释学与文学评论以及当下生活的密切关系,以达到对人文和精神科学的全新理解和把握。文学解释学视域中对意义的追寻和探求,涵盖三个层面:一是文学解释学的理论蕴涵和发生语境;二是文学解释学的认识论和方法论阐释语境,彰显文学意义阐释的本体存在之维;三是文学审美意义观的追索与建构,进而勾勒出由文本"方法论"转向意义"本体论"的历程。

Aesthetic Interpretation of Literary Meaning

Starting with an introduction to existential philosophy established by Martin Heidegger and a discussion of the influence of Gadamer’s hermeneutics on Western poetics and the ontological turn of Chinese literary criticism,the paper discusses the textual meaning and the understanding of events,especially the origin,traits and ontological significance of "generation of meaning" as a core concept in literary criticism.Literary hermeneutics covers three aspects in the interpretation of meaning: 1.Its theoretical implications and context.2.Its contexts of epistemology and methodology as well as its ontological dimension in interpreting literary meanings.3.The enquiry and construction of literary aesthetics and the turn from textual methodology to value-ontology.