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《文心雕龙·定势》篇述评
引用本文:吴建民.《文心雕龙·定势》篇述评[J].江苏大学学报(社会科学版),2004,6(2):61-64.
作者姓名:吴建民
作者单位:徐州师范大学,文学院,江苏,徐州,221116
摘    要:“文势”是中国古代文论中独特的理论范畴 ,“文势”理论源于刘勰的《文心雕龙·定势》篇。从刘勰所论看 ,“文势”属于作品形式范畴 ,它的形成与作品的语音、文字、语句等形式因素相关。“文势”具有运动性、包蕴性和多样性等特点 ,对读者有巨大的审美功效。刘勰的“文势”思想对今天的文艺创作和理论研究也有着重大的意义

关 键 词:刘勰  《文心雕龙》  文势
文章编号:1671-6604(2004)02-0061-04
修稿时间:2003年6月20日

Commenting on "Ding Shi" in The Literary Mind and the Carving of Dragons
WU Jian-min.Commenting on "Ding Shi" in The Literary Mind and the Carving of Dragons[J].Journal Of Jiangsu University:Social Science Edition,2004,6(2):61-64.
Authors:WU Jian-min
Abstract:Wen Shi" or literary appearance is a unique theoretical category of classical Chinese literary theory. It was originated in "Ding Shi (Determining the Literary Appearance)" in Liu Xie's The Literary Mind and the Carving of Dragons. "Wen Shi", which concerns literary forms, is involved with such factors as phonetics, words, sentences in its formation. It is characterized by its mobility, inclusiveness and variety and has a great aesthetical effect on readers. Liu Xie's "Wen Shi" theory has a great significance for today's literary creation and theoretical research.
Keywords:Liu Xie  The Literary Mind and the Carving of Dragons  Wen Shi  
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