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后现代语境下的大众消费文化镜像——以当代音乐剧《歌剧魅影》为例
引用本文:顾发良.后现代语境下的大众消费文化镜像——以当代音乐剧《歌剧魅影》为例[J].合肥工业大学学报(社会科学版),2009,23(4):86-89.
作者姓名:顾发良
作者单位:安徽师范大学,外国语学院,安徽,芜湖,241003
摘    要:在后现代语境下,西方主要是英美,其文化研究和批判的对象不再是“精英文化”,而主要是大众消费文化。大众消费文化随当今传媒起舞,颠覆了艺术领域隔离于大众文化其他领域这一固有观念。文章试以当代音乐剧《歌剧魅影》为例,探讨后现代语境下的大众消费文化镜像,并对当代中国大众消费文化镜像进行分析和展望。

关 键 词:后现代  大众消费文化  传媒  颠覆

The Mirror of the Mass Consumer Culture in the Post-modern Context:With the Contemporary Musical "The Phantom of the Opera" as an Example
GU Fa-liang.The Mirror of the Mass Consumer Culture in the Post-modern Context:With the Contemporary Musical "The Phantom of the Opera" as an Example[J].Journal of Hefei University of Technology(Social Sciences),2009,23(4):86-89.
Authors:GU Fa-liang
Institution:College of Foreign Languages;Anhui Normal University;Wuhu 241003;China
Abstract:In the post-modern context,the Western mainly Anglo-American cultural studies and the target of criticism is no longer a "cultural elite",but mainly a mass consumer culture.With the media dance of today's mass consumer culture,the inherent concept that the art is isolated from the areas of other mass culture has been subverted.The paper tries to probe into the mass consumer culture mirror and gives an analysis and outlook of the contemporary mass consumer culture mirror in China with the contemporary musica...
Keywords:post-modern  mass consumer culture  media  subversive  
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