| 论金代全真道士词人对柳词的接受 |
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| 引用本文： | 王昊.论金代全真道士词人对柳词的接受[J].兰州大学学报(社会科学版),2011,39(1). |
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| 作者姓名： | 王昊 |
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| 作者单位： | 吉林大学,文学院,吉林,长春,130012 |
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| 摘 要： | 王重阳、马钰等皆为读书种子,以诗词修真传教自证度人,游艺不害修道,这是接受柳词的前提.得道后的王重阳对柳词的接受方式,是通过柳词的"象喻性"以隐喻方式言说修"真"悟"道"的体验.其接受的内在契合根据,则在于全真之"心游不离身游"的"游"观,这就使得感性的现象界最终又归宿于内在的体验和开悟,于是"道成肉身"的宗教体验也就有可能契合于审美体验的"主客泯灭"、"物我两忘"."全真乐道"的优游之乐虽不离弃感性之"身",但却是以否定世俗情感价值和世俗之乐为前提,这样,王重阳等对柳词的接受内核实际内在着一种"否定论美学"的指向.金代全真道士词人对柳词的接受,具有揭示金词词史格位的意义.
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| 关 键 词： | 柳永词 金代全真道士词人 接受前提 接受方式 接受契合 接受内核 词史意义 |
Travel and Practice: Quanzhen Taoist Acceptance of Liu Yong's Ci Poetry in the Jin Dynasty |
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| WANG Hao.Travel and Practice: Quanzhen Taoist Acceptance of Liu Yong's Ci Poetry in the Jin Dynasty[J].Journal of Lanzhor University(Social Sciences),2011,39(1). |
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| Authors: | WANG Hao |
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| Institution: | WANG Hao (School cf Literature,Jilin University,Changchun 130012,China) |
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| Abstract: | Reading widely,Wang Chongyang and Ma Yu wrote poems when they were travelling and preaching, which ushered the acceptance of Liu Yong's poetry.As a Taoist poet,Wang appreciated Liu's ci poetry and then expressed his belief,enlightenment and intuition in a metaphorical way.The image of Waning Moon over the Windy Willow Bank in Liu's poetry reflects a free and unrestrained state of mind,which corresponds with Wang's view of the unity of emotional travel and intuitive perception.This also shows that sensation ... |
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| Keywords: | Liu Yong's ci poetry Quanzhen Taoist poets of the Jin Dynasty acceptance premise acceptance pattern the match of acceptance acceptance core the significance of ci poetry history |
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