| 试论中国书法艺术的创作 |
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| 引用本文： | 徐建新.试论中国书法艺术的创作[J].兰州大学学报(社会科学版),2009,37(4). |
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| 作者姓名： | 徐建新 |
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| 作者单位： | 陇东学院,美术系,甘肃,庆阳,745000 |
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| 摘 要： | 契合自然是书法创作的基本规律,唯变所适是书法创作的最高境界,充满激情是书法创作的自我状态,气韵生动是书法创作的生命主题,返璞归真是书法创作的人格真谛.只有从创作体验的角度来审视书法艺术的基本特征及其审美原则,才能对中国书法艺术创作有一个新的认识和理解.
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| 关 键 词： | 书法艺术 创作 基本规律 最高境界 自我状态 生命主题 人格真谛 |
On Chinese Calligraphic Creation |
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| XU Jian-xin.On Chinese Calligraphic Creation[J].Journal of Lanzhor University(Social Sciences),2009,37(4). |
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| Authors: | XU Jian-xin |
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| Institution: | Department of Fine Arts;Longdong College;Qingyang 745000;Gansu;China |
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| Abstract: | Affinity to the nature is the basic discipline of calligraphic creation,"adaption to changes"is the highest ideal,passion is the ego state,lively spirit and vitality is its life theme,and recovering the simple and returning to nature is the essence of life.Only by means of scanning the basic characteristics and aesthetic principles of calligraphy from the perspective of creating experience,can one have a new understanding of Chinese calligraphic creation. |
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| Keywords: | calligraphy creation basic discipline the highest ideal ego state life theme essence of life |
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