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明清优戏的弄孔侮圣与正典禁戏
引用本文:丁淑梅.明清优戏的弄孔侮圣与正典禁戏[J].西南大学学报(社会科学版),2006,32(1).
作者姓名:丁淑梅
作者单位:华东师范大学中文系 上海市200062
基金项目:华东师范大学校科研和教改项目
摘    要:唐宋以降,弄孔侮圣优戏多有敷演,明清以后优戏弄孔则广涉多种重大社会问题.因其牵动诸多敏感神经,屡为官方挟制、禁绝.明清弄孔优戏的禁与演,是戏剧文化与社会政治渗透消长的一种缩影,反映出戏剧活动与时代文化对峙与渗透的关系,我们应还其戏剧史生成活态基因的历史定位.

关 键 词:优戏  弄孔子  正典禁戏

Teasing of the Sage Confucius in Jester Play in the Ming and Qing Dynasties and Banning of the Play
DING Shu-mei.Teasing of the Sage Confucius in Jester Play in the Ming and Qing Dynasties and Banning of the Play[J].Journal of Southwest University(Humanities and Social Sciences Edition),2006,32(1).
Authors:DING Shu-mei
Abstract:The jester play teasing the sage Confucius had performed since the tang and Song Dynasties,and it involved various great social problems after the Ming and Qing Dynasties.It was banned by the government over and over again because it concerned sensitive nerve of the society.Banning and performing of the jester play in Ming and Qing Dynasties is an indicator of the conflicts and joining between dramatic culture and social politics.We should recover the original position of jester play as an active element of the Chinese dramatic history.
Keywords:jester play  teasing Confucius  amending classics and banning the play  
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