新实践美学与实践观点

实践美学在中国当今的发展已经达到了一个新阶段。新实践美学必须全面、系统、完整地把握马克思、恩格斯的实践观点。马克思主义创始人的实践观点是以人的生存为条件 ,以人的物质生产为中心的社会实践为出发点来论述人的生成和发展的 ,正是在人的自我生成和发展的历史实践过程中 ,实践走向了创造 ,创造达到了一定自由的程度 ,这才产生了人对现实的审美关系 ,这种审美关系体现在对象之上就是广义的美 ,体现在人这个主体身上就是广义的美感 ,美和美感在自由的创造实践中则生成出艺术 ,美、美感和艺术在实践中不断使人类的生活 (生命 )艺术化 ,实践本身也艺术化 ,最后不断使人的生存艺术化 (审美化 ) ,也就是不断地由自然的必然王国向人类的自由王国飞跃。

The New Practice Aesthetics and Its Practical Viewpoint

Nowadays the development of the Practice Aesthetics in China has reached a new stage. The new Practice Aesthetics should grasp Marx and Engels' Practical Viewpoint, completely, systematically and integrally. The practice idea of advanced by the founders of Marxism is based on the human's living, beginning its discussion of human's building and developing with the social practice the core of which is human's material production. In the process of historical practice of human's building and development, the practice comes to creating; and when the quality of freedom in creating reaches some degree, the taste relation between human and reality comes into being. Depending on the taste relation, beauty visualizes on the object, while the sense of beauty is endowed with the subject. So the art is built by the beauty and the sense of beauty after that. In the process of practice, the beauty, the sense of beauty and the art make the human's living obtain the artistry continuously, and so does the practice. As a result, the human's existence will be beautified, that is to say, the natural kingdom of necessity will be transformed into the human kingdom of freedom.