| 论当代民族声乐的美学复归 |
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| 引用本文： | 徐敦广.论当代民族声乐的美学复归[J].东北师大学报(哲学社会科学版),2011(4):136-139. |
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| 作者姓名： | 徐敦广 |
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| 作者单位： | 东北师范大学音乐学院,吉林长春,130024 |
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| 基金项目： | 全国教育科学“十一五”规划2010年度教育部专项课题(GLA102046) |
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| 摘 要： | 声乐界有关"民族声乐"的讨论,近年来一直存在。对民族声乐阐释的不足,原因在于民族声乐的审美价值没有得到准确的界定,这会造成民族声乐艺术发展的停滞。"缘情"是民族声乐艺术最突出的特征,包括寻求符合不同民族审美习惯的情感方式,注重演唱主体的情感传递,情感原则中蕴涵伦理内涵等几个方面,作为语言美学、技术美学、原型美学的民族声乐,应该将传统因素与非传统因素结合起来,从而实现美学的复归。
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| 关 键 词： | 民族声乐 缘情说 美学复归 审美通识 |
On the Return of Contemporary Folk Music |
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| XU Dun-guang.On the Return of Contemporary Folk Music[J].Journal of Northeast Normal University(Social Science),2011(4):136-139. |
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| Authors: | XU Dun-guang |
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| Institution: | XU Dun-guang (College of Music,Northeast Normal University,Changchun 130024,China) |
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| Abstract: | There has been the discussion on folk music in music field.The inadequacy of interpretation of folk music is due to the inaccurate definition of the aesthetic value of folk music,which may lead to the stagnation of folk music.Emotion production is the most prominent characteristic of folk music,which includes emotion manner,emotion transmission and ethic connotation. |
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| Keywords: | Folk Music Theory of Emotion Production Return of Aesthetics Aesthetic General Knowledge |
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