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表现与再现:两元论立场中的艺术观念
引用本文:宋一苇.表现与再现:两元论立场中的艺术观念[J].渤海大学学报(哲学社会科学版),2003,25(1):62-68.
作者姓名:宋一苇
作者单位:辽宁大学,中文系,辽宁,沈阳,110036
摘    要:表现与再现之所以成为美学的基本概念 ,是有其深广的哲学背景的 ,这一背景就是西方传统哲学思维方式———两元论立场 ,并提出消解与融合的策略。认为在艺术创作上 ,应注重发挥表现与再现的各自美学功能 ,注重两者的相互生发与相互渗透 ,从传统两元论思维模式中摆脱出来 ,走向整合视域中的艺术审美观

关 键 词:表现  再现  两元论思维模式
文章编号:1001-6333(2003)01-0062-07
修稿时间:2002年11月29

Expression and Representaion:the Art Concept from the Position of Dualism
SONG Yiwei.Expression and Representaion:the Art Concept from the Position of Dualism[J].Journal of Bohai University:Philosophy and Social Science Edition,2003,25(1):62-68.
Authors:SONG Yiwei
Abstract:The reason why expression and representation become basic concepts of aesthetics has deep and wide philosophic background,which is the traditional western philosophic thinking mode-the position of dualism.This article makes historical sort of the art concept of the position of dualism and puts forward the strategy of clearing up and syncretizing .It shows that as to art creations ,one should pay attention to exerting the aesthetic function of expression and representation respectively,pay attention to mutual promotion and mutual penetration ,shake off the traditional dualism thinking mode and reach the art aesthetic view of conformable ken.
Keywords:expression  representation  dualism thinking mode  
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