| 论曹禺剧作《原野》中的“象征主义” |
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| 引用本文： | 周东华.论曹禺剧作《原野》中的“象征主义”[J].内蒙古民族大学学报(社会科学版),2002(6). |
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| 作者姓名： | 周东华 |
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| 作者单位： | 苏州工艺美术职业技术学院基础理论部 江苏苏州215008 |
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| 摘 要： | 源于西方的象征主义对以现实主义为主要特征的曹禺的剧作《原野》有深远的影响。象征主义和现实主义在本质上的差异性并不意味着两者在一部作品中是不能共存的 ,实质上 ,这二者在《原野》中表现出了极强的“亲和性”。
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| 关 键 词： | 象征主义 现实主义 亲和性 |
The Symbolism and The Champaign |
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| ZHOU Dong-hua.The Symbolism and The Champaign[J].Journal of Inner Mongolia University for Nationalities(Social Sciences),2002(6). |
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| Authors: | ZHOU Dong-hua |
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| Abstract: | The symbolism which rooted from the west world has deeply influented the writing way of Caoyu's drama The champaign ,though it's chief character is realism.The difference in nature between symbolism and realism don't mean they can't exist in the same works,essentially,the two display obvious"close and harmonious character". |
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| Keywords: | Symbolism Realism Close and harmonious character |
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