| 庄子的“天籁”说及其美学意义 |
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| 引用本文： | 周维.庄子的“天籁”说及其美学意义[J].集美大学学报(哲学社会科学版),2008,11(3):25-30. |
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| 作者姓名： | 周维 |
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| 作者单位： | 安徽师范大学文学院,安徽芜湖,241000 |
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| 摘 要： | 对于美的本质，柏拉图提出“美是难的”，而庄子以中国人独有的形象思维方式和语言习惯，对“美”作出了不同的阐释。他从审美体验的角度，描述“天籁”之美，给我们以“美难而不难”的审美感受。这种审美经验的传达，同时也是中国美学重表现特点的体现。
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| 关 键 词： | 庄子 天籁 美难而不难 |
Zhuangzi's "Tianlai" and Its Aesthetic Significance |
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| ZHOU Wei.Zhuangzi''s "Tianlai" and Its Aesthetic Significance[J].Journal of Jimei University (Philosophy and Social Sciences),2008,11(3):25-30. |
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| Authors: | ZHOU Wei |
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| Institution: | ZHOU Wei (College of Chinese Language and Literature, Anhui Normal University, Wuhu 241000, China) |
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| Abstract: | As for the nature of kallos,Plato said "Kallos is difficult".However through the image thinking and language habits unique to the Chinese people,Zhuangzi gave a different interpretation.From the perspective of aesthetic experience,Zhuangzi described the beauty of "Tianlai",and offered an aesthetic feeling that "Kallos is either difficult or not difficult".In fact,this is also a reflection of China's characteristic of attaching importance to manifestation. |
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| Keywords: | Zhuangzi Tianlai Kallos is either difficult or not difficult |
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