“渔”无“鱼”：两个“渔佬儿”的符号释义

从《最后一个渔佬儿》到《铁壳船》，前者根植于“寻根文学”的文化语境，后者根植于中国“城市化进程”的历史境遇，二十余年的时空更迭，他们从“渔”有“鱼”到“渔”无“鱼”的历史终结，两个“渔佬儿”——“柴福奎”和“杨大头”成了一个“互文见义”的人物符号。在人物符号能指的背后，表征出主人公一方面眷恋农业文明，一方面又质疑现代工业文明，折射出的是中国城市化进程中城乡文化冲突、生态隐忧、叙事者文化心态归属等问题。

"Fishing" no "Fish":interpretation of symbols to "two fishermen"

From＂ The Last Fisherman＂to the＂ Steel-hulled Boats＂, the former rooted in the＂ Root-Seeking Literature＂cultural context, the latter rooted in China urbanization historical situations, 20 years of space-time change, the end from ＂fishing＂ has ＂fish＂ to ＂fishing＂ no ＂fish＂, ＂two fishermen＂ -- ＂Chai Fu-kui＂ and ＂Yang Da-tou＂ has become a comparable figure symbols of intertextuality. In deep sense, the figure symbols are referred to representation of the characters, on one hand, they are sentimentally attached to agricultural civilization, on the other hand, they are also skeptical about the values of industrial civilization, many issues such as clash of civilization between urban and rural cultural in China urbanization process, ecological worries, narrator＇s ownership of cultural mentality has been expressed on the map of literary imagination.