| 从实践美学的主体性到后实践美学的主体间性 |
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| 引用本文： | 杨春时.从实践美学的主体性到后实践美学的主体间性[J].厦门大学学报(哲学社会科学版),2002,1(5):24-30. |
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| 作者姓名： | 杨春时 |
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| 作者单位： | 厦门大学中文系，福建 厦门 361005 |
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| 摘 要： | 实践美学的哲学基础是主体性 ,主体性是启蒙时期的哲学、美学思潮。主体性美学不能解决审美作为自由的活动和真理的体验何以可能的问题。因此 ,现代美学必然转向主体间性。后实践美学是主体间性美学 ,它把存在不是看作主体对客体的支配 ,而是看作自我主体与世界主体的共在 ,审美则是这种主体间性的彻底实现。
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| 关 键 词： | 实践美学 主体性 后实践美学 主体间性 |
| 文章编号： | 0438-0460(2002)05-0024-07 |
| 修稿时间： | 2002年7月21日 |
From Subjecitvity of Practical Aestheics to Inter-Subjectivity of Post-Practical Aesthetics |
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| YANG Chun,shi.From Subjecitvity of Practical Aestheics to Inter-Subjectivity of Post-Practical Aesthetics[J].Journal of Xiamen University(A Quarterly for Studies in Arts & Social Sciences),2002,1(5):24-30. |
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| Authors: | YANG Chun shi |
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| Institution: | YANG Chun shi |
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| Abstract: | The philosophy of practical aesthetics is subjectivity. As the philosophical and aesthetical trend of the Enlightenment Age, it cannot answer the problem why aesthetic judgement can function as a free activity. Therefore modern aesthetics must turn to inter subjectivity, which forms what we call post practical aesthetics. It regards existence not as the domination of subject over object, but as the coexistence of self subject and world subject. Aesthetic judgement is the thorogh realization of this inter subjectivity. |
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| Keywords: | practical aesthetics subjectivity post practical aesthetics inter subjectivity |
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