| 余光中"适度散文化"的诗歌理论与实践 |
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| 引用本文： | 徐学.余光中"适度散文化"的诗歌理论与实践[J].厦门大学学报(哲学社会科学版),2005,3(5):84-90. |
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| 作者姓名： | 徐学 |
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| 作者单位： | 厦门大学,台湾研究中心,福建,厦门,361005 |
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| 摘 要： | 余光中是诗、文兼擅的当代作家.20世纪60年代以来,他在诗歌理论与创作中倡导和应用"适度散文化"的艺术方法.此一方法既是对中国古代"以文为诗"传统的回顾和借鉴,更是一个现代诗人、诗论家为促进现代诗创作的健康成长而提出的开拓性命题.
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| 关 键 词： | 余光中 适度散文化 诗歌理论 诗歌创作 |
| 文章编号： | 0438-0460(2005)05-0084-07 |
| 修稿时间： | 2005年4月29日 |
"Restricted Prosaism": Yu Guangzhong's Poetic Theory and Practice |
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| XU Xue."Restricted Prosaism": Yu Guangzhong''''s Poetic Theory and Practice[J].Journal of Xiamen University(A Quarterly for Studies in Arts & Social Sciences),2005,3(5):84-90. |
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| Authors: | XU Xue |
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| Abstract: | As a famous contemporary writer of poem and prose, Yu Guangzhong has initiated a poetic theory and practice called "restricted prosaism" since 1960's . It is not only a borrowing from and returning to the tradition of "turning prose to poem" in the classic Chinese poetry, but also a modern poet's pioneering proposition for the healthy growth of modern new poetry. |
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| Keywords: | Yu Guangzhong restricted prosaism poetic theory poetic creation |
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