| 中国"文人电影"与欧美"作者电影" |
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| 引用本文： | 王佳泉.中国"文人电影"与欧美"作者电影"[J].北华大学学报(社会科学版),2004,5(5):14-17. |
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| 作者姓名： | 王佳泉 |
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| 作者单位： | 北华大学,师范人文学院,吉林,吉林,132033 |
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| 摘 要： | 明星公司主要代表了以传统的现实主义为主要特征的"戏人电影"的创作倾向和潮流,文华公司则主要代表了更加注重创作者的主观表现,因此也更富于艺术个性的创作倾向和潮流."文人电影"与"作者电影"具有较多可比性,其艺术上的异同及其所体现的艺术规律,对于中国电影创作,特别是对于中国电影走向世界,正显示日久弥新的启示意义.
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| 关 键 词： | 史传传统 诗骚传统 戏人电影 文人电影 作者电影 |
| 文章编号： | 1009-5101(2004)05-0014-04 |
| 修稿时间： | 2004年6月9日 |
Chinese "Scholar Film" and European-American "Writer Film" |
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| WANG Jia-quan.Chinese "Scholar Film" and European-American "Writer Film"[J].Journal of Beihua University(Social Sciences),2004,5(5):14-17. |
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| Authors: | WANG Jia-quan |
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| Abstract: | Bright Star Company mainly represented the writing tendency and trends of theatre fan film with the main characters in traditional realism. Wenhua company mainly represented to emphase on the subjective expression from the writer, therefore, it tended to art individual character and represented the writing tendency, "Scholar Film" and "Writer Film" have more contrast, their similarities and differences in art and art law, for Chinese film's writing and producing, especially for Chinese film into the world, are showing energetic significance of enlightment. |
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| Keywords: | History and biography tradition Shishao Tradition Theatre fan film Scholar film Writer film |
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