| 论明清绘画艺术中的“变形“ |
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| 引用本文： | 江保锋.论明清绘画艺术中的“变形“[J].宿州学院学报,2006,21(5):44-46. |
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| 作者姓名： | 江保锋 |
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| 作者单位： | 宿州学院美术系,安徽,宿州,234000 |
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| 摘 要： | 明清绘画艺术的变形处理有其美学渊源,这和上古的美学思想和中华民族的审美心理结构是分不开的。这种美学思想到了明清时期,使得绘画艺术中的变形现象日臻普遍,主要代表人物有八大山人、陈洪绶、萧云从、金农等。这些画家也影响了后世画坛。
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| 关 键 词： | 变形 主体意识 以形写神 怪诞 |
| 文章编号： | 1673-2006(2006)06-0044-03 |
| 修稿时间： | 2005年4月21日 |
On the Department in Painting Art in Ming and Qing Dynasties |
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| JIANG Bao-feng.On the Department in Painting Art in Ming and Qing Dynasties[J].Journal of Shuzhou College,2006,21(5):44-46. |
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| Authors: | JIANG Bao-feng |
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| Abstract: | Treatment of deformation in painting art in Ming and Qing Dynaties has its own origin in aesthetics. It can't be separated from the thought of aesthetic judgment of our Chinese. Till Ming and Qing Dynasties t which made deformation universal gradually. The main representatives are Eight Master Painters. Chen Hongshou,Xiao Yuncong.Jin Nong and so on, also show great influence on the later generations. |
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| Keywords: | deformation consciousness of principal part express theme by formation weird |
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