| 论邳州农民画的象征审美空间 |
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| 引用本文： | 马筱.论邳州农民画的象征审美空间[J].淮南工业学院学报(社会科学版),2014(1):101-104. |
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| 作者姓名： | 马筱 |
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| 作者单位： | 淮南师范学院美术系,安徽淮南232038 |
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| 基金项目： | 淮南师范学院人文社会科学研究项目“邳州农民画象征性研究”（2012WK49）资助 |
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| 摘 要： | 邳州农民画的语言样式具有中华民族深厚的民间传统文化内涵,可贵地为我们展示和阐释了民间的造型艺术及其象征审美空间,把传统民情风俗和内涵以图形的方式凝固为视觉形态.既有美化生活、传递信息的实用功能,又有表现精神需要、情感需要的审美意义.以“审美”为核心,论述了邳州农民画的象征审美空间.
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| 关 键 词： | 邳州农民画 象征性 审美 |
On symbolic space of Pizhou peasant painting from the aesthetic perspective |
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| MA Xiao.On symbolic space of Pizhou peasant painting from the aesthetic perspective[J].Journal of Huainan Institute of Technology(Social Science),2014(1):101-104. |
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| Authors: | MA Xiao |
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| Institution: | MA Xiao (Department of Fine Arts, Huainan Normal University, Huainan, Anhui 232001 ,China) |
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| Abstract: | Having profound folk cultural connotations of Chinese people, the language patterns of Pizhou peasant paintings display and interpret to us the shaping art and its symbolic space and how to concrete the traditional folk culture and its connotations into visual shape. They have both utility functions of beautifying life and trans- mitting messages and aesthetic meanings of displaying the spiritual and emotional needs. This paper, by taking ＂ aesthetics＂ as its focus, expounds the symbolic aesthetic space of Pizhou peasant paintings. |
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| Keywords: | Pizhou peasant painting symbolism aesthetics |
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