| 略论大众审美与古代艺人的历史剧创作 |
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| 引用本文： | 孙书磊.略论大众审美与古代艺人的历史剧创作[J].淮海工学院学报(社会科学版),2004,2(4):16-19. |
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| 作者姓名： | 孙书磊 |
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| 作者单位： | 南京师范大学,文学院,江苏,南京,210097 |
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| 基金项目： | 全国艺术科学“十五”规划 2 0 0 3年国家青年基金课题 (0 3CB0 65 ) |
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| 摘 要： | 古代艺人创作戏剧主要是为了满足平民大众的文化消费 ,因而不得不受大众审美追求的支配。通过对大众审美与古代艺人历史剧创作关系的分析和阐释 ,认为反映在历史题材的艺人剧作中 ,大众审美的假定性、约定俗成式、极端类型化等价值取向直接决定着历史剧作品的叙事结构及艺术表现形式。
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| 关 键 词： | 艺人历史剧 假定性 约定俗成式 类型化 |
| 文章编号： | 1008-3499(2004)04-0016-04 |
| 修稿时间： | 2004年9月25日 |
Popular Aesthetics and the Creation of History Plays by Ancient Artists |
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| SUN Shu-lei.Popular Aesthetics and the Creation of History Plays by Ancient Artists[J].Journal of Huaihai Institute of Technology,2004,2(4):16-19. |
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| Authors: | SUN Shu-lei |
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| Abstract: | The plays written by ancient playwrights are subject to popular aesthetics in order to satisfy the cultural consumption of the common people. The relationship between popular aesthetics and the creation of history plays by ancient artists is analyzed in this paper. It is held that the presumptive property of popular aesthetics, its stereotyped mode and fixed prototypes decide straightly the narrative structure and artistic expression of history plays. |
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| Keywords: | history plays by ancient artists presumptive property stereotyped mode fixed prototype |
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