| 反思及其僭越——中国当代审美意识形态理论的阐释焦虑与话语突围 |
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| 引用本文： | 李艳丰.反思及其僭越——中国当代审美意识形态理论的阐释焦虑与话语突围[J].贵州大学学报(社会科学版),2014(1):28-33. |
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| 作者姓名： | 李艳丰 |
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| 作者单位： | 华南师范大学文学院,广东广州510631 |
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| 基金项目： | 基金项目：教育部人文社科青年基金项目“历史祛魅与文化反思--大众消费主义时代文化和文学话语转型研究”（11YJC751043）. |
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| 摘 要： | 审美意识形态理论形成于20世纪80年代,其话语结构、属性与功能具有明显的现代性症候。随着80年代的终结、现代性的断裂、消费革命的发生与全球化逻辑的形成,审美意识形态理论作为一种现代性话语范式,最终陷入阐释的焦虑与贫困。本文考察了审美意识形态理论的现代性特质及其在当下的阐释焦虑,并从新的社会文化结构与话语生产机制出发,对审美意识形态理论作出局部的话语修正。
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| 关 键 词： | 审美意识形态 现代性 话语 僭越 |
Introspection and Arrogation：The Interpretation of Anxiety and Discourse Breakthrough of the Theory on Contemporary Chinese Aesthetic Ideology |
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| LI Yan-feng.Introspection and Arrogation：The Interpretation of Anxiety and Discourse Breakthrough of the Theory on Contemporary Chinese Aesthetic Ideology[J].Journal of Guizhou University(Social Science),2014(1):28-33. |
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| Authors: | LI Yan-feng |
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| Institution: | LI Yan-feng (School of Literature, South-China Normal University, Guangzhou Gnangdong 510631, China) |
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| Abstract: | The theory of aesthetic ideology formed in the 1980s, and its discourse structure, property and function are all with obvious symptom of modernity. With the end of the 1980s and under the background of the fracture of modernity, the occurrence of consumption revolution and the formation of the logic of globalization, the theory of aesthetic ideology, as a kind of discourse paradigm of modernity, trapped in the anxiety and poverty of explanation in the end. This paper investigates the characteristics of modernity of the theory of aesthetic ideology and the interpretation of current anxiety. Starting from the new structure of social culture and mechanism of discourse production, it makes partial discourse modification to the theory of aesthetic ideology. |
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| Keywords: | aesthetic ideology modernity discourse arrogation |
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