| 论宋代山水画及题山水画诗中尚意观的形成 |
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| 引用本文： | 钟巧灵.论宋代山水画及题山水画诗中尚意观的形成[J].湖南人文科技学院学报,2008(1):72-76. |
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| 作者姓名： | 钟巧灵 |
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| 作者单位： | 湖南人文科技学院,湖南,娄底,417000 |
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| 摘 要： | 尚意的美学思潮,遍及于宋代诗歌与绘画领域,是宋代诗学的重要课题.山水画及其题诗由唐代尚"真"到宋代尚"意"观念的演变,自中唐开始,而在晚唐五代趋于完成,至宋代,"意"被文人奉为创作的圭臬.
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| 关 键 词： | 尚意 宋代 山水画 题山水画诗 |
| 文章编号： | 1673-0712(2008)01-0072-05 |
| 修稿时间： | 2007年10月20 |
On the Formation of the Idea of Adoring Abstraction in the Landscape Paintings and the Poems for Them in Song Dynasty |
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| ZHONG Qiao-ling.On the Formation of the Idea of Adoring Abstraction in the Landscape Paintings and the Poems for Them in Song Dynasty[J].Journal of Hunan Institute of Humanities,Science and Technology,2008(1):72-76. |
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| Authors: | ZHONG Qiao-ling |
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| Abstract: | Adoring Abstraction is the theoretic core for the poems and paintings in Song Dynasty.The change from the idea of adoring reality in Tang Dynasty to adoring Abstraction in Song Dynasty began in the middle-age of Tang Dynasty,and finished in the end of Tang Dynasty and Wudai Dynasty.In Song Dynasty,Abstraction was considered to be the most important idea in the literary and artistic creation domain. |
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| Keywords: | adoring Abstraction Song Dynasty landscape paintings the poems for the landscape paintings |
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