傩仪“过关”的象征结构 |
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引用本文: | 梁正海.傩仪“过关”的象征结构[J].湖北民族学院学报(自然科学版),2009,27(6):25-30. |
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作者姓名: | 梁正海 |
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作者单位: | 中南民族大学,民族学与社会学学院,湖北,武汉,430074 |
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摘 要: | 黔东北地区土家族传统文化傩仪“过关”的象征结构主要通过傩坛的空间结构和傩面具的分类体系以及傩仪操演过程得以展示,傩仪的象征结构主要表现为二元结构和三元结构,但其核心结构是二元结构,其它结构都是二元结构的派生结构。
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关 键 词: | 傩仪 过关 二元结构 三元结构 核心结构 |
The Symbolical Structure of "Guo Guan" in Nuo Drama |
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Institution: | LIANG Zheng - hai ( Shool of Ethnology and Sociology, South - Central University for Nationalities, Wuhan 430074, China) |
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Abstract: | Through Nuo scaffold spatial structure, the classification system of Nuo masks and rehearsal and performance process of Nuo ritual, the symbolic structure of Nuo ritual Guoguan drama in northeast Guizhou Province was explained in this paper. The symbolic structure of Nuo ritual mainly manifested in the binary structure and ternary structure, but the core of which was the dual structure, from which the others were derived. |
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Keywords: | Nuo ritual Guo Guan binary structure ternary structure core structure |
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