| 走向分裂的主体修辞世界与认知世界——《乌泥湖年谱》的文体特征及其修辞意味 |
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| 引用本文： | 谭善明,方百羽.走向分裂的主体修辞世界与认知世界——《乌泥湖年谱》的文体特征及其修辞意味[J].南京医科大学学报(社会科学版),2003,3(1):42-45. |
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| 作者姓名： | 谭善明 方百羽 |
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| 作者单位： | 福建师范大学文学院,福建,福州,350007 |
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| 摘 要： | 方方在其长篇小说<乌泥湖年谱>中运用了大量的诗歌和各种应用文体,这与特定年代中的主体认知世界密切相关诗歌是主体的"真我"世界的体现,应用文体则是主流意识形态强迫主体建构"非我"的体现.主体在话语霸权中产生了"真我"、"非我"两个世界的分裂,并逐渐由"真我"走向"非我".
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| 关 键 词： | 乌泥湖年谱 诗歌 应用文体 话语霸权 真我 非我 |
| 文章编号： | 1671-0479(2003)01-042-04 |
| 修稿时间： | 2002年11月26 |
The Subject's Rhetoric World and Cognition World Moving towards Disruption--The Style and Rhetoric Meaning of Wunihu Nianpu |
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| TAN Shan-ming,FANG Bai-yu.The Subject's Rhetoric World and Cognition World Moving towards Disruption--The Style and Rhetoric Meaning of Wunihu Nianpu[J].Acta Universitatis Medicinalis Nanjing(Social Science),2003,3(1):42-45. |
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| Authors: | TAN Shan-ming FANG Bai-yu |
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| Abstract: | In her novel Wunihu Nianpu Fang Fang used a lot of poems and all kinds of practical style, which is closely related to the subject' s cognition world in the specific years. The use of poems was the reflection of the subject' s real world, while the practical style was the reflection of the construction of subject's false world which was forced by mainstream ideology. The subject's real world and false world's disruption came into being in discourse supremacy, and the subject gradually moved from real world to false world. |
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| Keywords: | Wunihu Nianpu poems practical style discourse supremacy real world false world |
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