| 琴文化与魏晋南北朝诗歌之表现 |
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| 引用本文： | 周唯一.琴文化与魏晋南北朝诗歌之表现[J].郑州大学学报(哲学社会科学版),2001,34(3):84-88. |
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| 作者姓名： | 周唯一 |
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| 作者单位： | 衡阳师范学院,中文系,湖南,衡阳,421008 |
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| 摘 要： | 琴是联系音乐与诗歌的桥梁.琴所体现的"和"之音乐美感是其深远且重要的文化意蕴.它包含着儒家所倡的"天地之和"与道家所主的"自然之和".在魏晋南北朝诗歌创作上,琴文化是从创作主体的人格精神,悲观的感情抒发和创作新变三个方面来表现的.
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| 关 键 词： | 琴 文化 诗歌 |
| 文章编号： | 1001-8204(2001)03-0084-05 |
| 修稿时间： | 2000年11月12 |
The Culture of Qing and the Poetry of Wei, Jing, Nan and Bei Dynasties, China |
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| ZHOU Wei-yi.The Culture of Qing and the Poetry of Wei, Jing, Nan and Bei Dynasties, China[J].Journal of Zhengzhou University(Philosophy and Social Science Edition),2001,34(3):84-88. |
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| Authors: | ZHOU Wei-yi |
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| Abstract: | Qing,a Chinese classic string music instrument,serves as a bridge over music and poetry. The deepest and most significant implication of poetry of the this duration lie in the beauty of music produced by this instrument. Confucian school advocated that Heaven and the Earth are in harmony,while the Taoist School held that Nature is in harmony. And this philosophy shows its influence in the creation of the poems from three dimensions: personality, sad and happy emotion, and varying creating methods during the Wei,Jing,Nan and Bet dynasties. |
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| Keywords: | Qing culture poetry |
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