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宋太宗《逍遥咏》
引用本文:赵润金,刘玉芳①.宋太宗《逍遥咏》[J].南华大学学报(社会科学版),2013,14(1):80-85.
作者姓名:赵润金  刘玉芳①
作者单位:南华大学文法学院,湖南衡阳,421001
基金项目:2010年教育部人文社会科学研究青年基金项目“道教文化与宋诗研究”资助(编号:10YJC751127)
摘    要:《逍遥咏》成书于淳化元年(990)七月,由臣属作注释的可能性更大。以五七律为多数。主旨是阐释道家义理。常用的典故是一些道家、道教概念,如“乾坤”、“阴阳”、“道德”、“大道”、“白然、”“无为”、“逍遥”、“修炼”。诗歌语言风格比较复杂,原文语言既有晦涩难懂的一面又有平易浅近的一面。注解语言则倾向于晦涩难懂。以诠释为主而缺乏形象。

关 键 词:宋太宗  《逍遥咏》  语言风格
收稿时间:2012/10/16 0:00:00

Emperor Song Taizong’s "Xiao Yao Chant"
ZHAO Run jin,LIU Yu fang.Emperor Song Taizong’s "Xiao Yao Chant"[J].Journal of Nanhua University(Social Science Edition),2013,14(1):80-85.
Authors:ZHAO Run jin  LIU Yu fang
Institution:(University of South China,Hengyang 421001,China)
Abstract:"Xiao Yao chant" is a book compiled in July of 990 ( Chunhua first year), Song Dynasty, which is more likely anno- tated by the ministers. The five and seven laws are the majority. The gist of the book is to illustrate Taoist doctrines. Commonly used allusions are Taoism and Taoist concepts, such as "heaven and earth", "Yin and Yang", "morality", "avenue", "nature", "inac- tion", "free", "practice". The language style of the poetry is quite complex; the original language is obscure on one side and plain and simple on the other side. Annotation language tends to be obscure which mainly explains the poetry while lacks images.
Keywords:emperor Song Taizong  "Xiao Yao chant"  language style
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