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夏代玉器的审美特征
引用本文:高良.夏代玉器的审美特征[J].江南大学学报(人文社会科学版),2008,7(3):104-107.
作者姓名:高良
作者单位:苏州大学文学院,江苏苏州215123
摘    要:原始玉器工艺发展到夏代,开始出现镶嵌、勾彻、浅浮雕和圆雕等琢玉技术,这就使得夏代玉器的造型和纹饰走向程式化和复杂化成为可能。几何直方的规整形状,出齿、安柄的细部造型,还有线面结合的构图,乃至浅浮雕式的立体纹饰,均强化了夏代玉器的艺术形式和审美意蕴,形成了匀称规整、多样统一、象征表意和凝重神秘的艺术风格,从而有效地实现了中国玉器主体审美观念从新石器时代“饰玉”向商周“礼玉”的过渡。

关 键 词:夏代玉器  线刻  浮雕  象征表意  凝重神秘

Aesthetic Characteristics of Jade in Xia Dynasty
GAO Liang.Aesthetic Characteristics of Jade in Xia Dynasty[J].Journal of Southern Yangtze University:Humanities & Social Sciences Edition,2008,7(3):104-107.
Authors:GAO Liang
Institution:GAO Liang(School of Language Arts,Suzhou University,Suzhou 215123,China)
Abstract:The primitive jade craft in Xia dynasty begins to appear jade-carving technology, such as: enchased, bass-relief and round relief and so on, which make modeling and decorative design in jade utensil towards the formula and the complication possible. The shape of geometry straight and square, detail modeling of dentations and handle, and also the picture of line and side composition, and even three-dimensional decorative design of bass-relief in utensil, which all strengthen artistic form and esthetic meaning of the Xia dynasty's jade. They formed the artistic style that is symmetrical and neat, combining diversity into unification, symbolizing its meaning and the dignified mystical, which has effectively realized the transition of the Chinese jade carving esthetic main idea from New Stone Age "adorned jade" to Shang and Zhou dynasties "ritual jade".The Xia Dynasty’s Jade; Line Carving; Relief; Symbolizing Meaning; Dignified and Mystical
Keywords:The Xia dynasty's jade  line carving  relief  symbolizing meaning  dignified and mystical
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