江南文化精神的“在”与“说”

在今天阐释江南文化精神，有两个方面需要特别关注，就是江南文化的“在”与“说”。前者属于存在论问题，主要是江南自然、社会与人文的存在现状；后者属于语言本体论问题。主要是有没有人可以把江南文化的“在”讲清楚、说出来。在“怎么说都行”的后现代文化中，关于江南的“说”比关于江南的“在”显得更加重要与紧迫。以“江南诗性文化”为核心范畴的“江南美学与文化”研究，以区别长江文化与黄河文化为空间背景，追溯江南文化的文化背景与渊源；以区别江南文化与齐鲁文化为区域背景，揭示江南文化的诗性与审美本质；以江南轴心期为理论基础，还原江南美学与文化的历史生成；以江南城乡差别为解释框架，探索江南城市诗性文化的精神结构，推动了江南文化从实学向美学的学科飞跃，是研究者进入江南最重要的学术配置与基本的主体条件。

The "Existence" and "Discussions" of Jiangnan Cultural Spirit

When we interprets the Jiangnan cultural spirit today,there are two aspects need to be focused on especially:the "existence" and "discussions" of Jiangnan culture.The former belongs to the ontological question,which is mainly the present existence state of the nature,society and humanities in Jiangnan.The latter belongs to the Language ontology question,which is mainly that there will be people who can explain the "existence" of Jiangnan culture clearly whether or not.In the post-modern culture whatever people say,the "discussions" of Jiangnan is more important and urgent than the "existence" of Jiangnan.The study of "Jiangnan esthetics and culture" with the "Jiangnan poetic culture" as its core category traces the cultural background and origin of Jiangnan culture by taking the way of distinguishing between Changjiang and Yellow river culture as the space background;reveals the poetic and aesthetic essence of Jiangnan culture by taking the way of distinguishing Jiangnan and Qi-Lu culture as the regional background;returns to the historical production of Jiangnan esthetics and culture by taking the Jiangnan axial period as the theory basis;explores the spiritual structure of Jiangnan urban poetic culture by taking the differences between the cities and towns in Jiangnan as the theory frame,and promotes the Jiangnan culture to develop rapidly in subjects from the practical knowledge to esthetics,which are the most important academic disposition and basic principal conditions that the researchers want to enter into Jiangnan.